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J. S. Bach
Johann Sebastian Bach (21 March 1685, O.S.31 March 1685, N.S. – 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
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Easy piano sheets to teach kids how to play piano.
Beethoven
Ludwig van Beethoven (16 December 1770 - 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Ben Folds
Benjamin Scott Folds (born September 12, 1966 in Winston-Salem, North Carolina) is an American singer and pianist. He originally gained fame as a member of the rock band, Ben Folds Five. Ben has released three solo albums: Fear of Pop: Volume 1, Rockin' the Suburbs, and Ben Folds Live. Fear of Pop was released while Ben Folds Five were still together; Suburbs and Live were released afterwards. Since Fear of Pop is highly experimental and Live is a collection of live solo recordings of mostly songs originally recorded with Ben Folds Five, Rockin' the Suburbs is Ben's first proper solo release. In late 2003 two solo EPs: Speed Graphic and Sunny 16 were released, with a third entitled Super D released in mid-2004. He currently resides in Adelaide, Australia with his wife, Frally Hynes, and two children, Louis and Grace. He tours Japan and the United States, as well as other parts of the world periodically.
Folds also produced and arranged the most recent William Shatner album, Has Been (2004); he previously worked with Shatner on the songs 'In Love' and 'Still in Love' for Fear of Pop.
Folds described his former band, Ben Folds Five, as 'punk rock for sissies,' and his oddball lyrics often contain nuances of depression, melancholy and self-conflict. While he was with the band Ben Folds Five and since his departure, Folds also provided a number of songs for films soundtrack. Some of these include 'Lonely Christmas Eve' for the film How the Grinch Stole Christmas! (2000) and a rendition of the Beatles' 'Golden Slumbers' for the film I Am Sam (2001).
On a planned tour of Australia, Folds teamed up with fellow namesakes Ben Kweller and Ben Lee to travel the country together as The Bens, at the suggestion of a fan on Ben Kweller's official website. The trio also went on to record an four-track EP together, entitled The Bens.
In summer of 2004, Folds co-headlined an American tour with fellow rockers Rufus Wainwright and Guster. His fourth solo album entitled 'Songs for Silverman' is slated for release on April 26, 2005.
Folds also produced and arranged the most recent William Shatner album, Has Been (2004); he previously worked with Shatner on the songs 'In Love' and 'Still in Love' for Fear of Pop.
Folds described his former band, Ben Folds Five, as 'punk rock for sissies,' and his oddball lyrics often contain nuances of depression, melancholy and self-conflict. While he was with the band Ben Folds Five and since his departure, Folds also provided a number of songs for films soundtrack. Some of these include 'Lonely Christmas Eve' for the film How the Grinch Stole Christmas! (2000) and a rendition of the Beatles' 'Golden Slumbers' for the film I Am Sam (2001).
On a planned tour of Australia, Folds teamed up with fellow namesakes Ben Kweller and Ben Lee to travel the country together as The Bens, at the suggestion of a fan on Ben Kweller's official website. The trio also went on to record an four-track EP together, entitled The Bens.
In summer of 2004, Folds co-headlined an American tour with fellow rockers Rufus Wainwright and Guster. His fourth solo album entitled 'Songs for Silverman' is slated for release on April 26, 2005.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Rachmaninoff
Sergei Vasilievich Rachmaninoff (1 April 1873 - 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Vince Guaraldi
Vincent Anthony "Vince" Guaraldi (July 17, 1928 – February 6, 1976) was an Italian American jazz musician and pianist noted for his innovative compositions and arrangements and for composing music for animated adaptations of the Peanuts comic strip. Guaraldi was born in San Francisco, California. He graduated from Lincoln High School, attended San Francisco State University, and served as an Army cook in the Korean War.
While searching for just the right music to accompany a planned Peanuts television documentary, Lee Mendelson (the producer of the special) heard a single version of "Cast Your Fate to the Wind" by Vince Guaraldi's trio on the radio while traveling in a taxicab on the Golden Gate Bridge in San Francisco, California. Mendelson contacted Ralph J. Gleason, jazz columnist for the San Francisco Chronicle and was put in touch with Guaraldi. He proposed that Guaraldi score the upcoming Peanuts Christmas special and Guaraldi enthusiastically took the job, performing a version of what became "Linus and Lucy" over the phone two weeks later. The soundtrack was recorded by the Vince Guaraldi Trio, whose other members were Puzzy Firth standing in bassist for band member Fred Marshall, who was ill at the time, and drummer Jerry Granelli. Guaraldi went on to compose scores for sixteen Peanuts television specials, plus the feature film A Boy Named Charlie Brown as well as the unaired television program of the same name.
While searching for just the right music to accompany a planned Peanuts television documentary, Lee Mendelson (the producer of the special) heard a single version of "Cast Your Fate to the Wind" by Vince Guaraldi's trio on the radio while traveling in a taxicab on the Golden Gate Bridge in San Francisco, California. Mendelson contacted Ralph J. Gleason, jazz columnist for the San Francisco Chronicle and was put in touch with Guaraldi. He proposed that Guaraldi score the upcoming Peanuts Christmas special and Guaraldi enthusiastically took the job, performing a version of what became "Linus and Lucy" over the phone two weeks later. The soundtrack was recorded by the Vince Guaraldi Trio, whose other members were Puzzy Firth standing in bassist for band member Fred Marshall, who was ill at the time, and drummer Jerry Granelli. Guaraldi went on to compose scores for sixteen Peanuts television specials, plus the feature film A Boy Named Charlie Brown as well as the unaired television program of the same name.
Digimon
Digimon (デジモン Dejimon?), short for "Digital Monsters" (デジタルモンスター Dejitaru Monsutā?), is a Japanese media franchise encompassing anime, manga, toys, video games, trading card games and other media. The franchise's eponymous creatures are monsters of various forms living in a "Digital World", a parallel universe that originated from Earth's various communication networks.
Ryan Scott Oliver
Ryan Scott Oliver (born August 27, 1984) is an American musical theatre composer and lyricist. He is a 2011 Lucille Lortel Award Nominee and the recipient of both the 2009 Jonathan Larson Grant and the 2008 Richard Rodgers Award for Musical Theater. Oliver is an adjunct professor at Pace University in New York, and Artistic Director of the Pasadena Musical Theatre Program in California. He received his B.A. in Music Composition from UCLA and his M.F.A. in Musical Theatre Writing from the Tisch School of the Arts at New York University. He is also creator of the blog Crazytown and member of A.S.C.A.P. Oliver's work has been heard at the Writers Guild Awards, Off-Broadway in TheatreWorksUSA's We the People, and countless showcases.
Joseph Rheinberger
Josef Gabriel Rheinberger (17 March 1839, in Vaduz – 25 November 1901, in Munich) was a German organist and composer, born in Liechtenstein.
When only seven years old Rheinberger became organist at Vaduz Parish Church, and his first composition was performed the following year. In 1851 he entered the Munich Conservatory, where he later became professor of piano and subsequently professor of composition. When the Munich Conservatorium was dissolved he was appointed répétiteur at the Court Theatre, from which he resigned in 1867.
Rheinberger married his former pupil Franziska von Hoffnaass in 1867. He was influenced by painting and literature (especially English and German).
In 1877 Rheinberger obtained the rank of court conductor, a position that gave him responsibility for the music in the royal chapel. He was later awarded an honorary degree of Doctor of Philosophy by Ludwig Maximilian University of Munich. A distinguished teacher, he numbered many Americans among his pupils, including Horatio Parker, William Berwald, George Whitefield Chadwick, Bruno Klein, and Henry Holden Huss. When the present Conservatorium was founded in Munich, Rheinberger was appointed its professor of organ and composition, a post he held until his death. He was also given the title "Royal Professor".
Rheinberger was a prolific composer. His religious works include twelve masses (one for double chorus, three for four voices a cappella, three for women's voices and organ, two for men's voices and one with orchestra), a requiem, and a Stabat Mater. His other works include several operas, symphonies, chamber music, and choral works. Today he is remembered almost exclusively for his elaborate and challenging organ compositions; these include two concertos, 20 sonatas, 22 trios, 12 Meditations, 24 fughettos, and 36 solo pieces.
When only seven years old Rheinberger became organist at Vaduz Parish Church, and his first composition was performed the following year. In 1851 he entered the Munich Conservatory, where he later became professor of piano and subsequently professor of composition. When the Munich Conservatorium was dissolved he was appointed répétiteur at the Court Theatre, from which he resigned in 1867.
Rheinberger married his former pupil Franziska von Hoffnaass in 1867. He was influenced by painting and literature (especially English and German).
In 1877 Rheinberger obtained the rank of court conductor, a position that gave him responsibility for the music in the royal chapel. He was later awarded an honorary degree of Doctor of Philosophy by Ludwig Maximilian University of Munich. A distinguished teacher, he numbered many Americans among his pupils, including Horatio Parker, William Berwald, George Whitefield Chadwick, Bruno Klein, and Henry Holden Huss. When the present Conservatorium was founded in Munich, Rheinberger was appointed its professor of organ and composition, a post he held until his death. He was also given the title "Royal Professor".
Rheinberger was a prolific composer. His religious works include twelve masses (one for double chorus, three for four voices a cappella, three for women's voices and organ, two for men's voices and one with orchestra), a requiem, and a Stabat Mater. His other works include several operas, symphonies, chamber music, and choral works. Today he is remembered almost exclusively for his elaborate and challenging organ compositions; these include two concertos, 20 sonatas, 22 trios, 12 Meditations, 24 fughettos, and 36 solo pieces.
Lefty Frizzell
Lefty Frizzell (March 31, 1928–July 19, 1975), born William Orville Frizzell, was an American country music singer and songwriter of the 1950s, and a proponent of honky tonk music. His relaxed style of singing was an influence on later stars Merle Haggard, Willie Nelson, Roy Orbison, George Jones and John Fogerty. He is a member of the Country Music Hall of Fame.
L. M. Gottschalk
Louis Moreau Gottschalk (May 8, 1829 – December 18, 1869) was an American composer and pianist, best known as a virtuoso performer of his own romantic piano works. He spent most of his working career outside of the United States.
Gottschalk's music was very popular during his lifetime, and his earliest compositions created a sensation in Europe. Early pieces like "Le Bananier" and "Bamboula" were based on Gottschalk's memories of the music he heard during his youth in Louisiana. In this context, some of Gottschalk's work, such as the 13-minute opera Escenas campestres, retains a wonderfully innocent sweetness and charm.
Gottschalk's music was very popular during his lifetime, and his earliest compositions created a sensation in Europe. Early pieces like "Le Bananier" and "Bamboula" were based on Gottschalk's memories of the music he heard during his youth in Louisiana. In this context, some of Gottschalk's work, such as the 13-minute opera Escenas campestres, retains a wonderfully innocent sweetness and charm.
Jack Nitzsche
Bernard Alfred "Jack" Nitzsche (22 April 1937 – 25 August 2000) was an arranger, producer, songwriter, and film score composer. He first came to prominence in the late 1950s as the right-hand-man of producer Phil Spector, and went on to work with the Rolling Stones, Neil Young and others. He also worked extensively in film scores, winning a song of the year Oscar in 1983 for co-writing "Up Where We Belong" (from An Officer and a Gentleman.)
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Henri Vieuxtemps
Henri François Joseph Vieuxtemps (17 February 1820 – 6 June 1881) was a Belgian composer and violinist. He occupies an important place in the history of the violin as a prominent exponent of the Franco-Belgian violin school during the mid-19th century.
Guiseppe Verdi
Giuseppe Fortunino Francesco Verdi (Italian pronunciation: ; 10 October 1813 – 27 January 1901) was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture - such as "La donna è mobile" from Rigoletto, "Va, pensiero" (The Chorus of the Hebrew Slaves) from Nabucco, "Libiamo ne' lieti calici" (The Drinking Song) from La traviata and the "Grand March" from Aida. Although his work was sometimes criticized for using a generally diatonic rather than a chromatic musical idiom and having a tendency toward melodrama, Verdi’s masterworks dominate the standard repertoire a century and a half after their composition.
Verdi's predecessors who influenced his music were Rossini, Bellini, Giacomo Meyerbeer and, most notably, Gaetano Donizetti and Saverio Mercadante. With the exception of Otello and Aida, he was free of Wagner's influence. Although respectful of Gounod, Verdi was careful not to learn anything from the Frenchman whom many of Verdi's contemporaries regarded as the greatest living composer. Some strains in Aida suggest at least a superficial familiarity with the works of the Russian composer Mikhail Glinka, whom Franz Liszt, after his tour of the Russian Empire as a pianist, popularized in Western Europe.
Throughout his career, Verdi rarely utilised the high C in his tenor arias, citing the fact that the opportunity to sing that particular note in front of an audience distracts the performer before and after the note appears. However, he did provide high Cs to Duprez in Jérusalem and to Tamberlick in the original version of La forza del destino. The high C often heard in the aria Di quella pira does not appear in Verdi's score.
Verdi's predecessors who influenced his music were Rossini, Bellini, Giacomo Meyerbeer and, most notably, Gaetano Donizetti and Saverio Mercadante. With the exception of Otello and Aida, he was free of Wagner's influence. Although respectful of Gounod, Verdi was careful not to learn anything from the Frenchman whom many of Verdi's contemporaries regarded as the greatest living composer. Some strains in Aida suggest at least a superficial familiarity with the works of the Russian composer Mikhail Glinka, whom Franz Liszt, after his tour of the Russian Empire as a pianist, popularized in Western Europe.
Throughout his career, Verdi rarely utilised the high C in his tenor arias, citing the fact that the opportunity to sing that particular note in front of an audience distracts the performer before and after the note appears. However, he did provide high Cs to Duprez in Jérusalem and to Tamberlick in the original version of La forza del destino. The high C often heard in the aria Di quella pira does not appear in Verdi's score.
György Ligeti
György Sándor Ligeti (May 28, 1923 – June 12, 2006) was a composer, born in a Hungarian Jewish family in Transylvania, Romania. He briefly lived in Hungary before later becoming an Austrian citizen. Many of his works are well known in classical music circles, but to the general public, he is best-known for the various pieces featured in the Stanley Kubrick films 2001: A Space Odyssey, The Shining, and Eyes Wide Shut.
Ligeti's music is best-known to the general public for its use in the films of Stanley Kubrick. The soundtrack to 2001: A Space Odyssey includes four of his pieces: Atmosphères, Lux Aeterna (for the moon-bus scene en route to the TMA-1 monolith in the crater Tycho), Requiem (the Kyrie section), and an electronically altered version of Aventures (in the cryptic final scenes). Some of this music was used again in Peter Hyams's 1984 sequel film, 2010. Kubrick's The Shining uses Lontano for orchestra. The second of Ligeti's Musica ricercata is used extensively in Eyes Wide Shut.
Ligeti's music is best-known to the general public for its use in the films of Stanley Kubrick. The soundtrack to 2001: A Space Odyssey includes four of his pieces: Atmosphères, Lux Aeterna (for the moon-bus scene en route to the TMA-1 monolith in the crater Tycho), Requiem (the Kyrie section), and an electronically altered version of Aventures (in the cryptic final scenes). Some of this music was used again in Peter Hyams's 1984 sequel film, 2010. Kubrick's The Shining uses Lontano for orchestra. The second of Ligeti's Musica ricercata is used extensively in Eyes Wide Shut.
Frederic Rzewski
Frederic Anthony Rzewski (born April 13, 1938 in Westfield, Massachusetts) is an American composer and virtuoso pianist.
Rzewski (pronounced zheff-skee) began playing piano at age 5. He attended Phillips Academy, Harvard and Princeton, where his teachers included Randall Thompson, Roger Sessions, Walter Piston and Milton Babbitt. In 1960, he went to Italy, a trip which was formative in his future musical development. In addition to studying with Luigi Dallapiccola, he began a career as a performer of new piano music, often with an improvisatory element. A few years later he was a co-founder of Musica Elettronica Viva with Alvin Curran and Richard Teitelbaum. Musica Elettronica Viva conceived music as a collective, collaborative process, with improvisation and live electronic instruments prominently featured. In 1971 he returned to New York.
In 1977 Rzewski became Professor of Composition at the Conservatoire Royal de Musique in Liège, Belgium, then directed by Henri Pousseur. Occasionally he teaches for short periods at schools and universities throughout the U.S. and Europe, including Yale University, the University of Cincinnati, the California Institute of the Arts, the University of California, San Diego, the Royal Conservatory of The Hague and Trinity College of Music, London.
Many of Rzewski's works are inspired by secular and socio-historical themes, show a deep political conscience and feature improvisational elements. Some of his better-known works include The People United Will Never Be Defeated! (36 variations on the Sergio Ortega song El pueblo unido jamás será vencido), a set of virtuosic piano variations written as a companion piece to Beethoven's Diabelli Variations; Coming Together, which is a setting of letters from Sam Melville, an inmate at Attica State Prison, at the time of the famous riots there (1971); North American Ballads; Night Crossing with Fisherman; Fougues; Fantasia and Sonata; The Price of Oil, and Le Silence des Espaces Infinis, both of which use graphical notation; Les Moutons de Panurge; and the Antigone-Legend, which features a principled opposition to the policies of the State, and which was premiered on the night that the United States bombed Libya in April 1986 (ibid). Between his most recent compositions, the most interesting are the two sets of Nanosonatas (2007) and the Cadenza con o senza Beethoven (2003), written for Beethoven's Fourth Piano Concerto.
Rzewski (pronounced zheff-skee) began playing piano at age 5. He attended Phillips Academy, Harvard and Princeton, where his teachers included Randall Thompson, Roger Sessions, Walter Piston and Milton Babbitt. In 1960, he went to Italy, a trip which was formative in his future musical development. In addition to studying with Luigi Dallapiccola, he began a career as a performer of new piano music, often with an improvisatory element. A few years later he was a co-founder of Musica Elettronica Viva with Alvin Curran and Richard Teitelbaum. Musica Elettronica Viva conceived music as a collective, collaborative process, with improvisation and live electronic instruments prominently featured. In 1971 he returned to New York.
In 1977 Rzewski became Professor of Composition at the Conservatoire Royal de Musique in Liège, Belgium, then directed by Henri Pousseur. Occasionally he teaches for short periods at schools and universities throughout the U.S. and Europe, including Yale University, the University of Cincinnati, the California Institute of the Arts, the University of California, San Diego, the Royal Conservatory of The Hague and Trinity College of Music, London.
Many of Rzewski's works are inspired by secular and socio-historical themes, show a deep political conscience and feature improvisational elements. Some of his better-known works include The People United Will Never Be Defeated! (36 variations on the Sergio Ortega song El pueblo unido jamás será vencido), a set of virtuosic piano variations written as a companion piece to Beethoven's Diabelli Variations; Coming Together, which is a setting of letters from Sam Melville, an inmate at Attica State Prison, at the time of the famous riots there (1971); North American Ballads; Night Crossing with Fisherman; Fougues; Fantasia and Sonata; The Price of Oil, and Le Silence des Espaces Infinis, both of which use graphical notation; Les Moutons de Panurge; and the Antigone-Legend, which features a principled opposition to the policies of the State, and which was premiered on the night that the United States bombed Libya in April 1986 (ibid). Between his most recent compositions, the most interesting are the two sets of Nanosonatas (2007) and the Cadenza con o senza Beethoven (2003), written for Beethoven's Fourth Piano Concerto.
Tom Waits
Thomas Alan Waits (born 7 December 1949) is an American singer-songwriter, composer, and actor. Waits has a distinctive voice, described by critic Daniel Durchholz as sounding "like it was soaked in a vat of bourbon, left hanging in the smokehouse for a few months, and then taken outside and run over with a car." With this trademark growl, his incorporation of pre-rock styles such as blues, jazz, and vaudeville, and experimental tendencies verging on industrial music, Waits has built up a distinctive musical persona. He has worked as a composer for movies and musical plays and as a supporting actor in films, including The Fisher King, Coffee & Cigarettes, Bram Stoker's Dracula, and Short Cuts. He was nominated for an Academy Award for his soundtrack work on One from the Heart.
Lyrically, Waits' songs contain atmospheric portrayals of bizarre, seedy characters and places, although he has also shown a penchant for more conventional ballads. He has a cult following and has influenced subsequent songwriters despite having little radio or music video support. His songs are best-known to the general public in the form of cover versions by more visible artistsâfor example, "Jersey Girl," performed by Bruce Springsteen; "Downtown Train" and "Tom Traubert's Blues" performed by Rod Stewart; and "Ol' '55," performed by the Eagles. Although Waits' albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries. He has been nominated for a number of major music awards and has won Grammy Awards for two albums, Bone Machine and Mule Variations.
Waits currently lives in Sonoma County, California with his wife and their three children.
Lyrically, Waits' songs contain atmospheric portrayals of bizarre, seedy characters and places, although he has also shown a penchant for more conventional ballads. He has a cult following and has influenced subsequent songwriters despite having little radio or music video support. His songs are best-known to the general public in the form of cover versions by more visible artistsâfor example, "Jersey Girl," performed by Bruce Springsteen; "Downtown Train" and "Tom Traubert's Blues" performed by Rod Stewart; and "Ol' '55," performed by the Eagles. Although Waits' albums have met with mixed commercial success in his native United States, they have occasionally achieved gold album sales status in other countries. He has been nominated for a number of major music awards and has won Grammy Awards for two albums, Bone Machine and Mule Variations.
Waits currently lives in Sonoma County, California with his wife and their three children.
Pink
Alecia Beth Moore (born on September 8, 1979), known professionally as Pink (often stylized as P!nk), is a two-time Grammy-winning American singer-songwriter who gained prominence in 2000.
Pink released her first record, the R&B-oriented Can't Take Me Home, in 2000 via LaFace Records. Her pop rock-based second studio album, M!ssundaztood, was released in 2001 and is her biggest seller to date. Her third album, 2003's Try This, failed to match the success of M!ssundaztood. After taking a break, Pink released her fourth studio album, I'm Not Dead (2006), which was successful worldwide. Pink has so far sold over 25 million albums worldwide. Her upcoming album, Funhouse, will be released in October 2008.
Pink released her first record, the R&B-oriented Can't Take Me Home, in 2000 via LaFace Records. Her pop rock-based second studio album, M!ssundaztood, was released in 2001 and is her biggest seller to date. Her third album, 2003's Try This, failed to match the success of M!ssundaztood. After taking a break, Pink released her fourth studio album, I'm Not Dead (2006), which was successful worldwide. Pink has so far sold over 25 million albums worldwide. Her upcoming album, Funhouse, will be released in October 2008.
Pink Floyd
Pink Floyd are an English rock band from Cambridge. The band initially earned recognition for their psychedelic and space rock music, and, as they evolved, for their progressive rock music. Pink Floyd are known for philosophical lyrics, sonic experimentation, innovative album cover art, and elaborate live shows. One of rock music's most successful acts, the group have sold over 200 million albums worldwide including 74.5 million albums in the United States alone. Pink Floyd have influenced progressive rock artists of the 1970s such as Genesis and Yes; and contemporary artists such as Nine Inch Nails and Dream Theater.
Pink Floyd had moderate mainstream success and were one of the most popular bands in the London underground music scene in the late 1960s as a psychedelic band led by Syd Barrett. However, Barrett's erratic behaviour eventually forced his colleagues to replace him with guitarist and singer David Gilmour. After Barrett's departure, singer and bass player Roger Waters gradually became the dominant and driving force in the group by the late-1970s, until his eventual departure from the group in 1985. The band recorded several albums, achieving worldwide success with The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), and The Wall (1979).
In 1985, Waters declared Pink Floyd "a spent force", but the remaining members, led by Gilmour, continued recording and touring under the name Pink Floyd. Waters sued them for the name and eventually they reached a settlement out of court, under which Gilmour, Mason and Wright would continue as Pink Floyd. They again enjoyed worldwide success with A Momentary Lapse of Reason (1987) and The Division Bell (1994). Waters performed with the band for the first time in 24 years on 2 July 2005 at the London Live 8 concert.
Pink Floyd had moderate mainstream success and were one of the most popular bands in the London underground music scene in the late 1960s as a psychedelic band led by Syd Barrett. However, Barrett's erratic behaviour eventually forced his colleagues to replace him with guitarist and singer David Gilmour. After Barrett's departure, singer and bass player Roger Waters gradually became the dominant and driving force in the group by the late-1970s, until his eventual departure from the group in 1985. The band recorded several albums, achieving worldwide success with The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), and The Wall (1979).
In 1985, Waters declared Pink Floyd "a spent force", but the remaining members, led by Gilmour, continued recording and touring under the name Pink Floyd. Waters sued them for the name and eventually they reached a settlement out of court, under which Gilmour, Mason and Wright would continue as Pink Floyd. They again enjoyed worldwide success with A Momentary Lapse of Reason (1987) and The Division Bell (1994). Waters performed with the band for the first time in 24 years on 2 July 2005 at the London Live 8 concert.
Glee
Glee is a musical comedy-drama television series that airs on Fox in the United States. It focuses on the high school glee club New Directions competing on the show choir competition circuit, while its members deal with relationships, sexuality and social issues. The initial main cast encompassed club director and Spanish teacher Will Schuester (Matthew Morrison), cheerleading coach Sue Sylvester (Jane Lynch), guidance counselor Emma Pillsbury (Jayma Mays), Will's wife Terri (Jessalyn Gilsig), and eight club members played by Dianna Agron, Chris Colfer, Kevin McHale, Lea Michele, Cory Monteith, Amber Riley, Mark Salling and Jenna Ushkowitz. For the second season, formerly recurring cast members Mike O'Malley, Heather Morris and Naya Rivera were promoted to the main cast.
The series was created by Ryan Murphy, Brad Falchuk and Ian Brennan, who first conceived Glee as a film. The pilot episode was broadcast on May 19, 2009, and the first season aired from September 9, 2009 to June 8, 2010. The second season began airing on September 21, 2010, and a third season has been commissioned. Glee features on-screen performance-based musical numbers that are selected by Murphy, who aims to maintain a balance between show tunes and chart hits. Songs covered in the show are released through the iTunes Store during the week of broadcast, and a series of Glee albums have been released by Columbia Records. The music of Glee has been a commercial success, with over thirteen million digital single sales and five million album sales. The series' merchandise also includes DVD and Blu-Ray releases, a young adult book series, an iPad application, and a karaoke game for the Wii.
During its first season, Glee received generally favorable reviews from critics, with Metacritic's weighted average based on the impression of 18 critical reviews of 77 percent. The season was nominated for nineteen Emmy Awards, four Golden Globe Awards, six Satellite Awards and fifty-seven other awards, with wins including the 2010 Golden Globe Award for Best Television Series—Musical or Comedy, and Emmy awards for Lynch, guest-star Neil Patrick Harris and Murphy's direction of the pilot episode. The second season has currently been nominated for five Golden Globes including Best Television Series in a Comedy and as well as nominations for Matthew Morrison, Jane Lynch, Lea Michele and Chris Colfer.
The series was created by Ryan Murphy, Brad Falchuk and Ian Brennan, who first conceived Glee as a film. The pilot episode was broadcast on May 19, 2009, and the first season aired from September 9, 2009 to June 8, 2010. The second season began airing on September 21, 2010, and a third season has been commissioned. Glee features on-screen performance-based musical numbers that are selected by Murphy, who aims to maintain a balance between show tunes and chart hits. Songs covered in the show are released through the iTunes Store during the week of broadcast, and a series of Glee albums have been released by Columbia Records. The music of Glee has been a commercial success, with over thirteen million digital single sales and five million album sales. The series' merchandise also includes DVD and Blu-Ray releases, a young adult book series, an iPad application, and a karaoke game for the Wii.
During its first season, Glee received generally favorable reviews from critics, with Metacritic's weighted average based on the impression of 18 critical reviews of 77 percent. The season was nominated for nineteen Emmy Awards, four Golden Globe Awards, six Satellite Awards and fifty-seven other awards, with wins including the 2010 Golden Globe Award for Best Television Series—Musical or Comedy, and Emmy awards for Lynch, guest-star Neil Patrick Harris and Murphy's direction of the pilot episode. The second season has currently been nominated for five Golden Globes including Best Television Series in a Comedy and as well as nominations for Matthew Morrison, Jane Lynch, Lea Michele and Chris Colfer.
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. His works include the musical comedies Kiss Me, Kate, Fifty Million Frenchmen, DuBarry Was a Lady and Anything Goes, as well as songs like "Night and Day", "I Get a Kick out of You", "Well, Did You Evah!" and "I've Got You Under My Skin". He was noted for his sophisticated, bawdy lyrics, clever rhymes and complex forms. Porter was one of the greatest contributors to the Great American Songbook. Cole Porter is one of the few Tin Pan Alley composers to have written both the lyrics and the music for his songs.
Bruno Mars
Peter Gene Hernandez (born October 8, 1985), better known by his stage name Bruno Mars, is an American singer-songwriter and music producer. Raised in Honolulu, Hawaii by a family of musicians, Mars began making music at a young age. After performing in various musical venues in his hometown throughout his childhood, he decided to pursue a musical career. Mars began producing songs for other artists, joining production team The Smeezingtons.
He became recognized as a solo artist after lending his vocals and co-writing the hooks for the songs "Nothin' on You" by B.o.B, and "Billionaire" by Travie McCoy. He also co-wrote the hits "Right Round" by Flo Rida featuring Kesha, "Wavin' Flag" by K'naan, and "Fuck You!" by Cee Lo Green. In October 2010, he released his debut album, Doo-Wops & Hooligans. Anchored by the singles "Just the Way You Are" and "Grenade", the album peaked at number three on the Billboard 200. He has been nominated for seven Grammys at the 53rd Grammy Awards, which will be held on February 13, 2011.
He became recognized as a solo artist after lending his vocals and co-writing the hooks for the songs "Nothin' on You" by B.o.B, and "Billionaire" by Travie McCoy. He also co-wrote the hits "Right Round" by Flo Rida featuring Kesha, "Wavin' Flag" by K'naan, and "Fuck You!" by Cee Lo Green. In October 2010, he released his debut album, Doo-Wops & Hooligans. Anchored by the singles "Just the Way You Are" and "Grenade", the album peaked at number three on the Billboard 200. He has been nominated for seven Grammys at the 53rd Grammy Awards, which will be held on February 13, 2011.