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Danny Elfman
Daniel Robert "Danny" Elfman (born May 29, 1953) is an American musician, best known for composing music for television and movies, and leading the rock band Oingo Boingo as singer/songwriter from 1976 until its breakup in 1995. He is a frequent collaborator with long-time friend Tim Burton, and has scored all but two of his films. He was nominated for four Academy Awards and won a Grammy Award for Tim Burton's Batman and an Emmy Award for his Desperate Housewives theme. Elfman also wrote the theme for the video game Fable. He is also famous for creating The Simpsons main title theme, and his role as Jack Skellington's singing voice in The Nightmare Before Christmas. He is the Uncle in-law to actress Jenna Elfman.
billy cobham
William Emanuel Cobham Jr. (born May 16, 1944) is a Panamanian-American jazz drummer who came to prominence in the late 1960s and early 1970s with trumpeter Miles Davis and then with the Mahavishnu Orchestra. According to AllMusic's reviewer, Cobham is "generally acclaimed as fusion's greatest drummer".
He was inducted into the Modern Drummer Hall of Fame in 1987 and the Classic Drummer Hall of Fame in 2013.
He was inducted into the Modern Drummer Hall of Fame in 1987 and the Classic Drummer Hall of Fame in 2013.
Bat Boy
Bat Boy is a fictional creature who made several appearances in the defunct supermarket tabloid Weekly World News. The Weekly World News published patently fabricated stories which were purported to be factual. Within the pages of the paper, Bat Boy is described as a creature who is 'half human and half bat'. His pursuers, according to Weekly World News are scientists and United States government officials; he is frequently captured, then later makes a daring escape.
Bat Boy was created by former Weekly World News Editor Dick Kulpa. He debuted as a cover story on June 23, 1992. The original front-page photo of Bat Boy, showing his grotesque screaming face, was the second-best selling issue in the tabloid's history, and he has since evolved into a pop-culture icon. The story of Bat Boy was turned into an acclaimed off-Broadway musical, Bat Boy: The Musical.
Bat Boy was created by former Weekly World News Editor Dick Kulpa. He debuted as a cover story on June 23, 1992. The original front-page photo of Bat Boy, showing his grotesque screaming face, was the second-best selling issue in the tabloid's history, and he has since evolved into a pop-culture icon. The story of Bat Boy was turned into an acclaimed off-Broadway musical, Bat Boy: The Musical.
Star Trek
Star Trek is an American science-fiction television series created by Gene Roddenberry that follows the adventures of the starship USS Enterprise (NCC-1701) and its crew. It later acquired the retronym of Star Trek: The Original Series (TOS) to distinguish the show within the media franchise that it began. The show is set in the Milky Way galaxy, roughly during the 2260s. The ship and crew are led by Captain James T. Kirk (William Shatner), First Officer and Science Officer Spock (Leonard Nimoy), and Chief Medical Officer Leonard McCoy (DeForest Kelley). Shatner's voice-over introduction during each episode's opening credits stated the starship's purpose:
Francisco Buencamino
Francisco Buencamino Composer Born: November 5, 1883, Bulacan, Philippines Died: October 16, 1952
Parents: Fortunato Buencamino, Luisa Beltran
Parents: Fortunato Buencamino, Luisa Beltran
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. His works include the musical comedies Kiss Me, Kate, Fifty Million Frenchmen, DuBarry Was a Lady and Anything Goes, as well as songs like "Night and Day", "I Get a Kick out of You", "Well, Did You Evah!" and "I've Got You Under My Skin". He was noted for his sophisticated, bawdy lyrics, clever rhymes and complex forms. Porter was one of the greatest contributors to the Great American Songbook. Cole Porter is one of the few Tin Pan Alley composers to have written both the lyrics and the music for his songs.
Antonio Carlos Jobim
Antonio Carlos Brasileiro de Almeida Jobim (January 25, 1927 in Rio de Janeiro – December 8, 1994 in New York City), also known as Tom Jobim, was a Grammy Award-winning Brazilian songwriter, composer, arranger, singer, and pianist/guitarist. A primary force behind the creation of the bossa nova style, Jobim is acknowledged as one of the most influential popular composers of the 20th century. His songs have been performed by many singers and instrumentalists within Brazil and internationally.
Muse
Muse are a British rock band formed in Teignmouth, Devon, United Kingdom in 1994 under the alias of Rocket Baby Dolls. The band comprises Matthew Bellamy (vocals, guitar and piano), Christopher Wolstenholme (bass guitar and backing vocals) and Dominic Howard (drums and percussion). Muse's style can be considered as a mixture of many musical genres, most notably alternative rock, classical music and electronica. Muse are known best for their energetic and visually dazzling live performances and on June 16th & 17th, 2007 became the first band to sell out the newly built Wembley Stadium in London. Muse have released four studio albums with their first, Showbiz, released in 1999, followed by Origin of Symmetry in 2001 and Absolution in 2003. The most recent, Black Holes & Revelations (2006), was also the most critically acclaimed, garnering the band a Mercury Prize nomination and a third place finish in the NME Albums of the Year list for 2006. Muse have won various awards throughout their career including 5 MTV Europe Music Awards, 5 Q Awards, 4 NME Awards and 2 Brit awards.
Puccini
Giacomo Antonio Domenico Michele Secondo Maria Puccini (December 22, 1858 – November 29, 1924) was an Italian composer whose operas, including La Bohème, Tosca, and Madama Butterfly, are among the most frequently performed in the standard repertoire. Some of his arias, such as "O Mio Babbino Caro" from Gianni Schicchi, "Che gelida manina" from La Bohème, and "Nessun Dorma" from Turandot, have become part of popular culture.
The subject of Puccini's style is one that has been long avoided by musicologists; this avoidance can perhaps be attributed to the perception that his work, with its emphasis on melody and evident popular appeal, lacked "seriousness" (a similar prejudice beset Rachmaninoff during his lifetime). Despite the place Puccini clearly occupies in the popular tradition of Verdi, his style of orchestration also shows the strong influence of Wagner, matching specific orchestral configurations and timbres to different dramatic moments. His operas contain an unparalleled manipulation of orchestral colors, with the orchestra often creating the scene’s atmosphere.
The structures of Puccini's works are also noteworthy. While it is to an extent possible to divide his operas into arias or numbers (like Verdi's), his scores generally present a very strong sense of continuous flow and connectivity, perhaps another sign of Wagner’s influence. Like Wagner, Puccini used leitmotifs to connote characters (or combinations of characters). This is apparent in Tosca, where the three chords which signal the beginning of the opera are used throughout to announce Scarpia. Several motifs are also linked to Mimi and the Bohemians in La Bohème and to Cio-Cio-San's eventual suicide in Butterfly. Unlike Wagner, though, Puccini's motifs are static: where Wagner's motifs develop into more complicated figures as the characters develop, Puccini's remain more or less identical throughout the opera (in this respect anticipating the themes of modern musical theatre).
The subject of Puccini's style is one that has been long avoided by musicologists; this avoidance can perhaps be attributed to the perception that his work, with its emphasis on melody and evident popular appeal, lacked "seriousness" (a similar prejudice beset Rachmaninoff during his lifetime). Despite the place Puccini clearly occupies in the popular tradition of Verdi, his style of orchestration also shows the strong influence of Wagner, matching specific orchestral configurations and timbres to different dramatic moments. His operas contain an unparalleled manipulation of orchestral colors, with the orchestra often creating the scene’s atmosphere.
The structures of Puccini's works are also noteworthy. While it is to an extent possible to divide his operas into arias or numbers (like Verdi's), his scores generally present a very strong sense of continuous flow and connectivity, perhaps another sign of Wagner’s influence. Like Wagner, Puccini used leitmotifs to connote characters (or combinations of characters). This is apparent in Tosca, where the three chords which signal the beginning of the opera are used throughout to announce Scarpia. Several motifs are also linked to Mimi and the Bohemians in La Bohème and to Cio-Cio-San's eventual suicide in Butterfly. Unlike Wagner, though, Puccini's motifs are static: where Wagner's motifs develop into more complicated figures as the characters develop, Puccini's remain more or less identical throughout the opera (in this respect anticipating the themes of modern musical theatre).
George Gershwin
George Gershwin (September 26, 1898 – July 11, 1937) was an American composer. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed songs both for Broadway and for the classical concert hall. He also wrote popular songs with success.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
yuhki kuramoto
uhki Kuramoto is a Japanese pianist and composer. His given name is Minoru Kitano (北野 實, Kitano Minoru). He writes primarily for the piano, though ...
Gustav Holst
Gustav Theodore Holst (21 September 1874 – 25 May 1934) was an English composer and was a music teacher for nearly 20 years. He is most famous for his orchestral suite The Planets. Having studied at the Royal College of Music in London, his early work was influenced by Ravel, Grieg, Richard Strauss, and fellow student Ralph Vaughan Williams, but most of his music is highly original, with influences from Hindu spiritualism and English folk tunes. Holst's music is well known for unconventional use of metre and haunting melodies.
Holst wrote almost 200 catalogued compositions, including orchestral suites, operas, ballets, concertos, choral hymns, and songs (see Selected works below).
Holst became music master at St Paul's Girls' School in 1905 and director of music at Morley College in 1907, continuing in both posts until retirement.
He was the brother of Hollywood actor Ernest Cossart and father of the composer and conductor Imogen Holst, who wrote a biography of him in 1938.
Holst wrote almost 200 catalogued compositions, including orchestral suites, operas, ballets, concertos, choral hymns, and songs (see Selected works below).
Holst became music master at St Paul's Girls' School in 1905 and director of music at Morley College in 1907, continuing in both posts until retirement.
He was the brother of Hollywood actor Ernest Cossart and father of the composer and conductor Imogen Holst, who wrote a biography of him in 1938.
Chopin
Frédéric Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Apocalyptica
Apocalyptica is a Finnish cello metal band, composed of classically trained cellists and, since 2005, a drummer. Three of the cellists are graduates of the Sibelius Academy in Helsinki, Finland. Their music features elements from classical music, neo-classical metal, thrash metal, and symphonic metal.
Mykola Leontovych
Mykola Dmytrovych Leontovych (Ukrainian: Микола Дмитрович Леонтович; sometimes spelt Leontovich; December 13 1877 – 23 January 1921) was a Ukrainian composer, choral conductor, and teacher of international renown. His music was inspired by Mykola Lysenko and the Ukrainian National Music School. Leontovych specialised in a cappella choral music, ranging from original compositions, to church music, to elaborate arrangements of folk music.
Regina Spektor
Regina Spektor (born February 18, 1980) is a Soviet-born Jewish-American singer-songwriter and pianist. Her music is associated with the anti-folk scene centered on New York City's East Village.
Spektor has said that she has created 700 songs, but that she rarely writes any of them down. She has also stated that she never aspired to write songs herself, but songs seem to just flow to her. Spektor possesses a broad vocal range and uses the full extent of it. She also explores a variety of different and somewhat unorthodox vocal techniques, such as verses composed entirely of buzzing noises made with the lips and beatbox-style flourishes in the middle of ballads, and also makes use of such unusual musical techniques as using a drum stick to tap rhythms on the body of the piano or chair.
Her lyrics are equally eclectic, often taking the form of abstract narratives or first-person character studies, similar to short stories or vignettes put to song. Spektor usually sings in English, though she sometimes includes a few words or verses of Latin, Russian, French, and other languages in her songs.
Spektor has said that she has created 700 songs, but that she rarely writes any of them down. She has also stated that she never aspired to write songs herself, but songs seem to just flow to her. Spektor possesses a broad vocal range and uses the full extent of it. She also explores a variety of different and somewhat unorthodox vocal techniques, such as verses composed entirely of buzzing noises made with the lips and beatbox-style flourishes in the middle of ballads, and also makes use of such unusual musical techniques as using a drum stick to tap rhythms on the body of the piano or chair.
Her lyrics are equally eclectic, often taking the form of abstract narratives or first-person character studies, similar to short stories or vignettes put to song. Spektor usually sings in English, though she sometimes includes a few words or verses of Latin, Russian, French, and other languages in her songs.
Liszt
Franz Liszt (October 22, 1811 – July 31, 1886) was a Hungarian composer, virtuoso pianist and teacher.
Liszt became renowned throughout Europe for his great skill as a performer; to this day, many consider him to have been the greatest pianist in history. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner and Hector Berlioz.
As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind a huge and diverse oeuvre, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.
Liszt has most frequently been credited to have been the first pianist who gave concerts with programs consisting only of solo pieces. An example is a concert he gave on March 9, 1839, at the Palazzo Poli in Rome. Since Liszt could not find singers who — following the usual habit of the time — should have completed the program, he played four numbers all alone.
Liszt was a prolific composer. Most of his music is for the piano and much of it requires formidable technique.In his most famous and virtuosic works, he is the archetypal Romantic composer. Liszt pioneered the technique of thematic transformation, a method of development which was related to both the existing variation technique and to the new use of the Leitmotif by Richard Wagner. Liszt's piano works are usually divided into two classes. On the one hand, there are "original works", and on the other hand "transcriptions", "paraphrases" or "fantasies" on works by other composers.
Liszt became renowned throughout Europe for his great skill as a performer; to this day, many consider him to have been the greatest pianist in history. He was also an important and influential composer, a notable piano teacher, a conductor who contributed significantly to the modern development of the art, and a benefactor to other composers and performers, notably Richard Wagner and Hector Berlioz.
As a composer, Liszt was one of the most prominent representatives of the "Neudeutsche Schule" ("New German School"). He left behind a huge and diverse oeuvre, in which he influenced his forward-looking contemporaries and anticipated some 20th-century ideas and trends. Some of his most notable contributions were the invention of the symphonic poem, developing the concept of thematic transformation as part of his experiments in musical form and making radical departures in harmony.
Liszt has most frequently been credited to have been the first pianist who gave concerts with programs consisting only of solo pieces. An example is a concert he gave on March 9, 1839, at the Palazzo Poli in Rome. Since Liszt could not find singers who — following the usual habit of the time — should have completed the program, he played four numbers all alone.
Liszt was a prolific composer. Most of his music is for the piano and much of it requires formidable technique.In his most famous and virtuosic works, he is the archetypal Romantic composer. Liszt pioneered the technique of thematic transformation, a method of development which was related to both the existing variation technique and to the new use of the Leitmotif by Richard Wagner. Liszt's piano works are usually divided into two classes. On the one hand, there are "original works", and on the other hand "transcriptions", "paraphrases" or "fantasies" on works by other composers.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Ludovico Einaudi
Ludovico Einaudi (born 23 November 1955) is an Italian contemporary classical music composer and pianist.
Although Einaudi would prefer not to be labeled as any particular type of genre, he is sometimes referred to as Minimalist. This is despite his music not sharing the key musical properties associated with minimalism. This may be due to his music possessing sparse orchestration and simplistic melodies that some may wish to refer to as 'minimalist' despite not belonging to the musical movement of Minimalism.
Einaudi's own words on the matter reflect this viewpoint, with Einaudi referring to Minimalism as "elegance and openness", despite its more formal definition as a musical movement to which he arguably does not belong.
Although Einaudi would prefer not to be labeled as any particular type of genre, he is sometimes referred to as Minimalist. This is despite his music not sharing the key musical properties associated with minimalism. This may be due to his music possessing sparse orchestration and simplistic melodies that some may wish to refer to as 'minimalist' despite not belonging to the musical movement of Minimalism.
Einaudi's own words on the matter reflect this viewpoint, with Einaudi referring to Minimalism as "elegance and openness", despite its more formal definition as a musical movement to which he arguably does not belong.
Traditional
Anton Arensky
Anton Stepanovich Arensky (Russian: Анто́н Степа́нович Аре́нский; 12 July 1861 – 25 February 1906) was a Russian composer of Romantic classical music, a pianist and a professor of music.Arensky was born in a music-loving, affluent family in Novgorod, Russia. He was musically precocious and had composed a number of songs and piano pieces by the age of nine. With his mother and father, he moved to Saint Petersburg in 1879, after which he studied composition at the Saint Petersburg Conservatory with Nikolai Rimsky-Korsakov.
Kim Long
Kim Long is a Music Teacher and the Assistant Band Director at Westminster High School where he works with the Marching Band, Wind Ensemble, Drumline, ...
Rumbling Hearts
Rumbling Hearts is a Japanese adult visual novel developed by Âge and released on August 3, 2001 for Windows. It was later ported to the Dreamcast and PlayStation 2. ..... Kimi ga Nozomu Eien - Original Soundtrack
Thomas Newman
Thomas Montgomery Newman (born October 20, 1955) is an American composer best known for his many film scores.
Newman has been nominated for fourteen Academy Awards and three Golden Globes, and has won two BAFTAs, six Grammys and an Emmy Award. Newman was honored with the Richard Kirk award at the 2000 BMI Film and TV Awards. The award is given annually to a composer who has made significant contributions to film and television music.
Newman has been nominated for fourteen Academy Awards and three Golden Globes, and has won two BAFTAs, six Grammys and an Emmy Award. Newman was honored with the Richard Kirk award at the 2000 BMI Film and TV Awards. The award is given annually to a composer who has made significant contributions to film and television music.
George Enescu
George Enescu, known in France as Georges Enesco, was a Romanian composer, violinist, pianist, conductor, and teacher. He is regarded by many as Romania's most important musician
Count Basie
Count Basie Jazz pianist William "Count" Basie is an American jazz pianist, organist and jazz orchestra conductor.
Date of birth: August 21, 1904, Red Bank, New Jersey, USA Date and place of death: April 26, 1984, Hollywood, Florida, USA Instrument: Piano; Organ
Date of birth: August 21, 1904, Red Bank, New Jersey, USA Date and place of death: April 26, 1984, Hollywood, Florida, USA Instrument: Piano; Organ
Wicked
Wicked is a musical with songs and lyrics by Stephen Schwartz and a book by Winnie Holzman. The story is based on the best-selling novel Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire, a parallel novel of L. Frank Baum's classic story The Wonderful Wizard of Oz from the perspective of the witches of the Land of Oz.
Wicked tells the story of Elphaba, the future Wicked Witch of the West and her relationship with Glinda, the Good Witch of the North. Their friendship struggles through their opposing personalities and viewpoints, rivalry over the same love-interest, their reactions to the Wizard's corrupt government, and, ultimately, Elphaba's public fall from grace. The plot is set mostly before Dorothy's arrival from Kansas, and includes several references to well-known scenes and dialogue in the 1939 film The Wizard of Oz.
The musical debuted on Broadway on October 30, 2003. It is produced by Universal Pictures and directed by Joe Mantello, with musical staging by Wayne Cilento. Its original stars were Idina Menzel as Elphaba, Kristin Chenoweth as Glinda, and Joel Grey as the Wizard. Although the production received mixed reviews and was panned by The New York Times, it has proved to be a favorite among patrons. The Broadway production's success spawned productions in Chicago, Los Angeles, London's West End, Tokyo, Melbourne, and Stuttgart, along with two North American tours that have visited over 30 cities in Canada and the United States.
The score of Wicked is heavily thematic, bearing in some senses more resemblance to a film score than a musical's score. While many musicals' scores develop new motifs and melodies for each song with little overlap, Schwartz integrated a handful of leitmotifs throughout the production. A cast recording of the original Broadway production was released on December 16, 2003, by Universal Music. All of the songs featured on stage are present on the recording with the exception of "The Wizard And I (Reprise)" and "The Wicked Witch of the East". The short reprise of "No One Mourns The Wicked" that opens Act II is attached to the beginning of "Thank Goodness". The music was arranged by Stephen Oremus, who was also the conductor and director, and James Lynn Abbott, with orchestrations by William David Brohn. The recording received the Grammy Award for Best Musical Show Album in 2005 and was certified platinum by the RIAA on November 30, 2006.
Wicked tells the story of Elphaba, the future Wicked Witch of the West and her relationship with Glinda, the Good Witch of the North. Their friendship struggles through their opposing personalities and viewpoints, rivalry over the same love-interest, their reactions to the Wizard's corrupt government, and, ultimately, Elphaba's public fall from grace. The plot is set mostly before Dorothy's arrival from Kansas, and includes several references to well-known scenes and dialogue in the 1939 film The Wizard of Oz.
The musical debuted on Broadway on October 30, 2003. It is produced by Universal Pictures and directed by Joe Mantello, with musical staging by Wayne Cilento. Its original stars were Idina Menzel as Elphaba, Kristin Chenoweth as Glinda, and Joel Grey as the Wizard. Although the production received mixed reviews and was panned by The New York Times, it has proved to be a favorite among patrons. The Broadway production's success spawned productions in Chicago, Los Angeles, London's West End, Tokyo, Melbourne, and Stuttgart, along with two North American tours that have visited over 30 cities in Canada and the United States.
The score of Wicked is heavily thematic, bearing in some senses more resemblance to a film score than a musical's score. While many musicals' scores develop new motifs and melodies for each song with little overlap, Schwartz integrated a handful of leitmotifs throughout the production. A cast recording of the original Broadway production was released on December 16, 2003, by Universal Music. All of the songs featured on stage are present on the recording with the exception of "The Wizard And I (Reprise)" and "The Wicked Witch of the East". The short reprise of "No One Mourns The Wicked" that opens Act II is attached to the beginning of "Thank Goodness". The music was arranged by Stephen Oremus, who was also the conductor and director, and James Lynn Abbott, with orchestrations by William David Brohn. The recording received the Grammy Award for Best Musical Show Album in 2005 and was certified platinum by the RIAA on November 30, 2006.
Jamie Houston
Jamie Houston is an award winning songwriter and producer. From chart topping hits to multi-platinum albums and Emmy nominations, his work has been sought after by a long list of artists, including Steven Tyler, Carlos Santana, Sheryl Crow, Miley Cyrus, Macy Grey, Kid Rock, and Aaron Neville.
Albert Roussel
Albert Charles Paul Marie Roussel was a French composer. He spent seven years as a midshipman, turned to music as an adult, and became one of the most Date of birth: April 5, 1869, Tourcoing, France Date and place of death: August 23, 1937, Royan, France Education: Schola Cantorum de Paris Books: Aeneas, Op. 54: Ballet in One Act Genres: Classical, Romantic Compositions The Spider's Feast Joueurs de flûte Padmavati
Ravel
Joseph-Maurice Ravel (March 7, 1875 – December 28, 1937) was a French composer of Impressionist music known especially for his melodies, orchestral and instrumental textures and effects. Much of his piano music, chamber music, vocal music and orchestral music has entered the standard concert repertoire.
Ravel's piano compositions, such as Jeux d'eau, Miroirs and Gaspard de la Nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation very effectively.
Ravel is perhaps known best for his orchestral work, Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music."
According to SACEM, Ravel's estate earns more royalties than that of any other French musician. According to international copyright law, Ravel's works are public domain since January 1, 2008 in most countries. In France, due to anomalous copyright law extensions to account for the two world wars, they will not enter the public domain until 2015.
Ravel's piano compositions, such as Jeux d'eau, Miroirs and Gaspard de la Nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation very effectively.
Ravel is perhaps known best for his orchestral work, Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music."
According to SACEM, Ravel's estate earns more royalties than that of any other French musician. According to international copyright law, Ravel's works are public domain since January 1, 2008 in most countries. In France, due to anomalous copyright law extensions to account for the two world wars, they will not enter the public domain until 2015.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Yann Tiersen
Guillaume Yann Tiersen (born 23 June 1970) is a French musician and composer known internationally for composing the score to the Jean-Pierre Jeunet movie Amélie. His music is recognized by its use of a large variety of instruments in relatively minimalist compositions, often with a touch of either European classical music or French folk music, using primarily the piano, accordion or violin together with instruments like the melodica, xylophone, toy piano, ondes martenot, harpsichord and typewriter. His musical style is reminiscent of Frédéric Chopin, Erik Satie, Philip Glass and Michael Nyman.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Tsubasa
Tsubasa: Reservoir Chronicle is a Japanese manga series written and illustrated by the manga artist group Clamp. It takes place in the same fictional universe as many of Clamp's other manga series, most notably xxxHolic.
Pasek & Paul
Benj Pasek and Justin Paul, known together as Pasek and Paul, are an American songwriting duo and composing team for musical theater, films, and television. Their works include A Christmas Story, Dogfight, Edges, Dear Evan Hansen, and James and the Giant Peach.
Babyface
Kenneth Brian "Babyface" Edmonds (born April 10, 1958), is an American R&B and pop singer, songwriter, guitarist, keyboardist, record producer, film producer, and entrepreneur.
Babyface has recently signed a new deal with Island Records to release his new album. Playlist consists of eight cover songs including Bob Dylan’s "Knockin’ On Heaven’s Door," Dan Fogelberg’s "Longer," Dave Loggin's "Please Come To Boston", Bread's "Diary", Jim Croce's "Time In A Bottle," Eric Clapton's "Wonderful Tonight" and James Taylor’s "Fire & Rain" and "Shower The People". The two original works in the album are entitled "Not Going Nowhere" and "The Soldier Song". It was released on September 18, 2007. It will be the first album on the newly re-launched Mercury Records Label.
Babyface has recently signed a new deal with Island Records to release his new album. Playlist consists of eight cover songs including Bob Dylan’s "Knockin’ On Heaven’s Door," Dan Fogelberg’s "Longer," Dave Loggin's "Please Come To Boston", Bread's "Diary", Jim Croce's "Time In A Bottle," Eric Clapton's "Wonderful Tonight" and James Taylor’s "Fire & Rain" and "Shower The People". The two original works in the album are entitled "Not Going Nowhere" and "The Soldier Song". It was released on September 18, 2007. It will be the first album on the newly re-launched Mercury Records Label.
Celine Dion
Céline Marie Claudette Dion (born March 30, 1968 in Charlemagne, Quebec) is a Canadian singer, and occasional songwriter and actress.
Dion had first gained international recognition in the 1980s by winning both the 1982 Yamaha World Popular Song Festival and the 1988 Eurovision Song Contest.
Dion's music has been influenced by genres ranging from rock and R&B to gospel and classical, and while her releases have often received mixed critical reception, she is renowned for her technically skilled and powerful vocals.
Dion had first gained international recognition in the 1980s by winning both the 1982 Yamaha World Popular Song Festival and the 1988 Eurovision Song Contest.
Dion's music has been influenced by genres ranging from rock and R&B to gospel and classical, and while her releases have often received mixed critical reception, she is renowned for her technically skilled and powerful vocals.
John Dunstable
John Dunstaple was an English composer who was the leading composer of 15th century England and among the most influential composers of his time. He developed the contenance angloise style, which pioneered the prominent use of harmonies with thirds and sixths.
Fábio Jr.
Fábio Correa Ayrosa Galvão, known as Fábio Jr. or Fábio Júnior, is a Brazilian singer, songwriter and actor. Since 1976 he has recorded an album nearly every year.
Richard Galliano
Richard Galliano is a French accordionist of Italian heritage. Date of birth: December 12, 1950 (68 years old), Cannes, France Movies: Richard Galliano: Tangaria Quartet, MORE Awards: NAACP Image Award for Best Jazz Album
Train
Train is a Grammy Award winning rock band formed in San Francisco, California. To date, three of their albums have peaked in the top 10 of the Billboard 200 and have sold a total of over 4 million albums in the US. Three of their songs have been top 20 hits on the Billboard Hot 100 including their biggest hit "Drops of Jupiter (Tell Me)". Train has found success on modern adult contemporary radio stations, where they have had eight songs in the top 20 of the Hot Adult Top 40 Tracks chart.
Members:
Patrick Monahan
Scott Underwood
Jimmy Stafford
Brandon Bush
Johnny Colt
Members:
Patrick Monahan
Scott Underwood
Jimmy Stafford
Brandon Bush
Johnny Colt
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Wilki
Wilki are a Polish Alternative rock/Pop rock band from Warsaw. They, along with their contemporaries Myslovitz, are one of Poland's most popular rock bands.
Wilki have written songs both in English and Polish. The name comes from the Polish word for wolves, and they are currently signed to Sony Music in Poland.
Wilki have written songs both in English and Polish. The name comes from the Polish word for wolves, and they are currently signed to Sony Music in Poland.
Bodyslam
Bodyslam is a Thai rock band. The band is best known by the unique voice of the leading vocalist, Athiwara "Toon" Khongmalai, and the band's live performances.
Nguyen Van Dong
Nguyen Van Dong Born: March 15, 1932, District 1, Ho Chi Minh City, Vietnam Died: February 26, 2018, Cho Ray Hospital, Ho Chi Minh City, Vietnam Spouse: Tran Thi Nguyet Thu (m. ?–2018) Education: Trường Thiếu sinh quân Đông Dương (1946–1951).
Isaac Albeniz
Isaac Albéniz i Pascual (Spanish pronunciation: ) (May 29, 1860 – May 18, 1909) was a Spanish pianist and composer best known for his piano works based on folk music.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Albéniz’ Suite Española Op.47 is comprised mainly of pieces written in 1886, and grouped together in 1887 in honor of the Queen of Spain. Like many of Albéniz' piano pieces, these works are miniature tone pictures of different geographical regions and musical idioms of Spain. The eight original titles are Granada, Cataluna, Sevilla, Cadiz, Asturias, Aragon, Castilla and Cuba but only the first three titles and Cuba appeared in the original collection. The other pieces were published in later collections, often with different titles. The publisher Hofmeister published all eight titles of Suite Espanola in 1911 after Albéniz’ death, appropriating other pieces for the other four titles so those pieces do not always accurately reflect the geographic designation of the titles, most obviously in the case of Asturias (Leyenda) whose Andalusian flamenco rhythms bear little resemblance to the music of the northern province Asturias. The opus number 47 assigned by Hofmeister has no relation to any chronological order in Albéniz’ oeuvre, in which opus numbers were randomly given by publishers or by Albéniz himself, with some pieces appearing in more than one collection.
Manuel de Falla
Manuel de Falla y Matheu (November 23, 1876 – November 14, 1946) was a Spanish Andalusian composer of classical music. With Isaac Albéniz and Enrique Granados he is one of Spain's most important musicians of the first half of the 20th century.
Johnny Cash
John R. Cash (born J. R. Cash; February 26, 1932 – September 12, 2003) was an American singer, songwriter, musician, and actor. Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. He was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-like chugging guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark all-black stage wardrobe which earned him the nickname "The Man in Black".
Charles-Valentin Alkan
Charles-Valentin Alkan (French: ; 30 November 1813 – 29 March 1888) was a French-Jewish composer and virtuoso pianist. At the height of his fame in the 1830s and 1840s he was, alongside his friends and colleagues Frédéric Chopin and Franz Liszt, among the leading pianists in Paris, a city in which he spent virtually his entire life.Alkan earned many awards at the Conservatoire de Paris, which he entered before he was six. His career in the salons and concert halls of Paris was marked by his occasional long withdrawals from public performance, for personal reasons. Although he had a wide circle of friends and acquaintances in the Parisian artistic world, including Eugène Delacroix and George Sand, from 1848 he began to adopt a reclusive life style, while continuing with his compositions – virtually all of which are for the keyboard.
Gershon Kingsley
Gershon Kingsley was a German-American composer, a pioneer of electronic music and the Moog synthesizer, a partner in the electronic music duo Perrey and Kingsley, founder of the First Moog Quartet, and writer of rock-inspired compositions for Jewish religious ceremonies.
Igor Stravinsky
Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971) was a Russian-born, naturalised French, later naturalised American composer, pianist, and conductor.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
Yiruma
Yiruma (born February 15 1978, Seoul, Korea) is a South Korean piano music composer. He is married to Son Hye-im.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
Yiruma is well-known throughout the world, and his albums are sold all over Asia, as well as the United States and Europe. His most famous pieces are "Kiss the Rain", and also "River Flows in You". These pieces are widely mistaken for being associated with the movie Twilight. Although he formerly held dual citizenship as a citizen of the United Kingdom and South Korea, in July 2006 he gave up his British citizenship and entered the Republic of Korea Navy to begin his military service, which is compulsory for all male South Koreans. He has lived in Osaka, Japan for 5 years to promote album sales before giving up his dual citizenship.
David Popper
Popper was a prolific composer of music for his instrument, writing four concertos, a Requiem for three cellos and orchestra (1891) and a number of smaller pieces which are still played today, including the ever-popular cello solo piece Tarantella. His shorter showpieces were written to highlight the unique sound and style native to the cello extending the instrument's range to heights with pieces such as Spinnlied (Spinning Song), Elfentanz (Dance of the Elves), or the Ungarische Rhapsodie (Hungarian Rhapsody). He also wrote instructional pieces. Popper is also famous for his High School of Cello Playing (Op. 73), a book of cello études that is used almost universally by advanced cello students.
Joe Hisaishi
Mamoru Fujisawa (藤澤 守 Fujisawa Mamoru?), known professionally as Joe Hisaishi (久石 譲 Hisaishi Jō?, born December 6, 1950), is a composer and director known for over 100 film scores and solo albums dating back to 1981.
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), My Neighbor Totoro (1988), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Sonatine (1993).
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), My Neighbor Totoro (1988), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Sonatine (1993).
Jean-Baptiste Arban
Joseph Jean-Baptiste Laurent Arban (28 February 1825 – 9 April 1889) was a cornetist, conductor, composer, pedagogue and the first famed virtuoso of the cornet à piston or valved cornet. He was influenced by Niccolò Paganini's virtuosic technique on the violin and successfully proved that the cornet was a true solo instrument by developing virtuoso technique on the instrument.
Born in Lyon, France, he studied trumpet with Francois Dauverné at the Paris Conservatoire from 1841 to 1845. He was appointed professor of saxhorn at the École Militaire in 1857, and became professor of cornet at the Paris Conservatoire in 1869, where Merri Franquin was among his students. He published his Grande méthode complète pour cornet à pistons et de saxhorn in Paris in 1864. This method, which is often referred to as the "Trumpeter's Bible," is still studied by modern brass players. His variations on The Carnival of Venice remains one of the great showpieces for cornet soloists today.
Born in Lyon, France, he studied trumpet with Francois Dauverné at the Paris Conservatoire from 1841 to 1845. He was appointed professor of saxhorn at the École Militaire in 1857, and became professor of cornet at the Paris Conservatoire in 1869, where Merri Franquin was among his students. He published his Grande méthode complète pour cornet à pistons et de saxhorn in Paris in 1864. This method, which is often referred to as the "Trumpeter's Bible," is still studied by modern brass players. His variations on The Carnival of Venice remains one of the great showpieces for cornet soloists today.
Philip koutev ensemble
National Ensemble of folk songs and dances Philip KUTEV was established in 1951. From the beginning it was formed as a professional staff. The first modest but talented young singers, dancers and musicians have been in the ensemble after a selection of specially held a national competition. Along with his artistic talent they have and untold riches of their folklore Rodney places. Everything else as a theory, organization, etc. be added by Ansambala through this, it becomes a prestigious school of stage arts folklore as is until now.