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Jesus: The Epic Mini-Series
This television mini-series, which aired on CBS in May 2000, looks at the life of Jesus from His humble beginnings as a carpenter through His extraordinary life and the mission of His spiritual destiny.
This is a superb production and should prove very helpful to stimulate interest on the part of a Biblically illiterate generation to want to know more about the Gospels and the extraordinary life, death, resurrection and meaning of Jesus.
With a $24 million budget, Jesus was shot on location in Morocco and Malta. This four-hour global television event features an all-star cast including Jeremy Sisto, Gary Oldman, Armin Mueller-Stall, Jacqueline Bisset, Debra Messing, and David O'Hara. It also includes the music of Leann Rimes, Steven Curtis Chapman, Avalon, Jaci Velasquez, DC Talk, Yolanda Adams, Patrick Williams, 98 Degrees, Hootie and the Blowfish, Sarah Brightman, Lonestar, and Edwin McCain.
This is a superb production and should prove very helpful to stimulate interest on the part of a Biblically illiterate generation to want to know more about the Gospels and the extraordinary life, death, resurrection and meaning of Jesus.
With a $24 million budget, Jesus was shot on location in Morocco and Malta. This four-hour global television event features an all-star cast including Jeremy Sisto, Gary Oldman, Armin Mueller-Stall, Jacqueline Bisset, Debra Messing, and David O'Hara. It also includes the music of Leann Rimes, Steven Curtis Chapman, Avalon, Jaci Velasquez, DC Talk, Yolanda Adams, Patrick Williams, 98 Degrees, Hootie and the Blowfish, Sarah Brightman, Lonestar, and Edwin McCain.
Rent
Rent is a rock musical, with music and lyrics by Jonathan Larson based on Giacomo Puccini's opera La Bohème. It tells the story of a group of impoverished young artists and musicians struggling to survive and create in New York's Lower East Side in the thriving days of the Bohemian East Village, under the shadow of AIDS.
Rent won a Tony Award for Best Musical and a Pulitzer Prize, among other awards. In addition, its cast was unusually ethnically diverse. Rent brought controversial topics to a traditionally conservative medium, and it helped to increase the popularity of musical theater amongst the younger generation. "Rent speaks to Generation X the way that the musical Hair spoke to the baby boomers or those who grew up in the 1960s, calling it "a rock opera for our time, a Hair for the 90s."
The musical was first seen at the New York Theatre Workshop in 1994. On January 26, 1996, Rent opened in New York City off-Broadway before moving to Broadway's Nederlander Theatre on April 29, 1996. Rent has been successful on Broadway, where it had critical acclaim and word-of-mouth popularity. The Broadway production of Rent closed on September 7, 2008 after a 12 year run and 5,124 performances, making it the seventh-longest-running Broadway show. The production has grossed over $280 million. At the time of its closing, it was the second-longest-running musical currently on Broadway, eight years behind The Phantom of the Opera.
Rent won a Tony Award for Best Musical and a Pulitzer Prize, among other awards. In addition, its cast was unusually ethnically diverse. Rent brought controversial topics to a traditionally conservative medium, and it helped to increase the popularity of musical theater amongst the younger generation. "Rent speaks to Generation X the way that the musical Hair spoke to the baby boomers or those who grew up in the 1960s, calling it "a rock opera for our time, a Hair for the 90s."
The musical was first seen at the New York Theatre Workshop in 1994. On January 26, 1996, Rent opened in New York City off-Broadway before moving to Broadway's Nederlander Theatre on April 29, 1996. Rent has been successful on Broadway, where it had critical acclaim and word-of-mouth popularity. The Broadway production of Rent closed on September 7, 2008 after a 12 year run and 5,124 performances, making it the seventh-longest-running Broadway show. The production has grossed over $280 million. At the time of its closing, it was the second-longest-running musical currently on Broadway, eight years behind The Phantom of the Opera.
The Incredible Hulk
The Incredible Hulk is a 2008 superhero film based on the Marvel Comics character the Hulk. It is directed by Louis Leterrier and stars Edward Norton as Dr. Bruce Banner/the Hulk. It is not a sequel to Hulk (2003), but rather a reboot that establishes a new back-story where Banner became the Hulk as an unwitting pawn in a military scheme to reinvigorate the supersoldier program through gamma radiation. On the run, he attempts to cure himself of the Hulk before he is captured by General Thaddeus "Thunderbolt" Ross (William Hurt), but his worst fears are realized when power-hungry soldier Emil Blonsky (Tim Roth) becomes the Abomination. Liv Tyler also stars as Betty Ross, Banner's girlfriend and General Ross's daughter.
Marvel Studios reacquired the rights to the character after the mixed reception to Hulk, and writer Zak Penn began work on a loose sequel that would be much closer to the comics and the television series. Norton rewrote the script after he signed on to star, which clarified the film's new back-story. Leterrier aimed to make the film realistic, giving a more frightening direction for the look of the monsters, while redesigning the Abomination from the comics' reptilian humanoid into a mutated monster with bony protrusions. Filming mostly took place in Toronto, Canada in 2007, where the production attempted to be environmentally friendly.
The film outgrossed its predecessor and received generally positive reviews. Despite this positive reception Marvel chose to put off a possible sequel until after 2012's The Avengers. As of April 6, 2009, the film has grossed $263,427,551 in worldwide box office and it made $85,755,879 in home video sales, bringing its total film gross to $349,183,430.
Marvel Studios reacquired the rights to the character after the mixed reception to Hulk, and writer Zak Penn began work on a loose sequel that would be much closer to the comics and the television series. Norton rewrote the script after he signed on to star, which clarified the film's new back-story. Leterrier aimed to make the film realistic, giving a more frightening direction for the look of the monsters, while redesigning the Abomination from the comics' reptilian humanoid into a mutated monster with bony protrusions. Filming mostly took place in Toronto, Canada in 2007, where the production attempted to be environmentally friendly.
The film outgrossed its predecessor and received generally positive reviews. Despite this positive reception Marvel chose to put off a possible sequel until after 2012's The Avengers. As of April 6, 2009, the film has grossed $263,427,551 in worldwide box office and it made $85,755,879 in home video sales, bringing its total film gross to $349,183,430.
Gluck
Christoph Willibald Ritter von Gluck (born 2 July 1714 Erasbach, Upper Palatinate; died 15 November 1787 in Vienna) was a composer of the 18th century, most noted for his operatic works. After many years at the Habsburg court at Vienna, Gluck brought about the practical reform of opera's dramaturgical practices that many intellectuals had been campaigning for over the years. With a series of radical new works in the 1760s, among them Orfeo ed Euridice and Alceste, he broke the stranglehold that Metastasian opera seria had enjoyed for much of the century.
The strong influence of French opera in these works encouraged Gluck to move to Paris, which he did in November 1773. Fusing the traditions of Italian opera and the French national genre into a new synthesis, Gluck wrote eight operas for the Parisian stages. One of the last of these, Iphigénie en Tauride, was a great success and is generally acknowledged to be his finest work. Though extremely popular and widely credited with bringing about a revolution in French opera, Gluck's mastery of the Parisian operatic scene was never absolute, and after the poor reception of his Echo et Narcisse, he left Paris in disgust and returned to Vienna to live out the remainder of his life.
The strong influence of French opera in these works encouraged Gluck to move to Paris, which he did in November 1773. Fusing the traditions of Italian opera and the French national genre into a new synthesis, Gluck wrote eight operas for the Parisian stages. One of the last of these, Iphigénie en Tauride, was a great success and is generally acknowledged to be his finest work. Though extremely popular and widely credited with bringing about a revolution in French opera, Gluck's mastery of the Parisian operatic scene was never absolute, and after the poor reception of his Echo et Narcisse, he left Paris in disgust and returned to Vienna to live out the remainder of his life.
Badarzewska
Tekla Bądarzewska-Baranowska was a Polish composer. Bądarzewska was born in 1829 in Mława or 1834 in Warsaw. She married Jan Baranowski and they had five children in their nine years of marriage. Bądarzewska-Baranowska died on 29 September 1861 in Warsaw
Dukas
Paul Abraham Dukas (1 October 1865 – 17 May 1935) was a French composer, critic, scholar and teacher. A studious man, of retiring personality, he was intensely self-critical, and he abandoned and destroyed many of his compositions. His best known work is the orchestral piece The Sorcerer's Apprentice (L'apprenti sorcier), the fame of which has eclipsed that of his other surviving works. Among these are an opera Ariane et Barbe-bleue, a symphony, two substantial works for solo piano, and a ballet, La Péri.
At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Beethoven, Berlioz, Franck, d'Indy and Debussy.
In tandem with his composing career, Dukas worked as a music critic, contributing regular reviews to at least five French journals. Later in his life he was appointed professor of composition at the Conservatoire de Paris and the École Normale de Musique; his pupils included Maurice Duruflé, Olivier Messiaen, Manuel Ponce, and Joaquín Rodrigo.
At a time when French musicians were divided into conservative and progressive factions, Dukas adhered to neither but retained the admiration of both. His compositions were influenced by composers including Beethoven, Berlioz, Franck, d'Indy and Debussy.
In tandem with his composing career, Dukas worked as a music critic, contributing regular reviews to at least five French journals. Later in his life he was appointed professor of composition at the Conservatoire de Paris and the École Normale de Musique; his pupils included Maurice Duruflé, Olivier Messiaen, Manuel Ponce, and Joaquín Rodrigo.
Beethoven
Ludwig van Beethoven (16 December 1770 - 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Rossini
Gioachino Antonio Rossini (February 29, 1792 – November 13, 1868) was a popular Italian composer who created 39 operas as well as sacred music and chamber music. His best known works include Il barbiere di Siviglia (The Barber of Seville), La Cenerentola and Guillaume Tell (William Tell).
Rossini's most famous opera was produced on February 20, 1816 at the Teatro Argentina in Rome. The libretto by Cesare Sterbini, a version of Pierre Beaumarchais' infamous stage play Le Barbier de Séville, was the same as that already used by Giovanni Paisiello in his own Barbiere, an opera which had enjoyed European popularity for more than a quarter of a century. Much is made of how fast Rossini's opera was written, scholarship generally agreeing upon two weeks. Later in life, Rossini claimed to have written the opera in only twelve days. It was a colossal failure when it premiered as Almaviva; Paisiello’s admirers were extremely indignant, sabotaging the production by whistling and shouting during the entire first act. However, not long after the second performance, the opera became so successful that the fame of Paisiello's opera was transferred to Rossini's, to which the title The Barber of Seville passed as an inalienable heritage.
Rossini's most famous opera was produced on February 20, 1816 at the Teatro Argentina in Rome. The libretto by Cesare Sterbini, a version of Pierre Beaumarchais' infamous stage play Le Barbier de Séville, was the same as that already used by Giovanni Paisiello in his own Barbiere, an opera which had enjoyed European popularity for more than a quarter of a century. Much is made of how fast Rossini's opera was written, scholarship generally agreeing upon two weeks. Later in life, Rossini claimed to have written the opera in only twelve days. It was a colossal failure when it premiered as Almaviva; Paisiello’s admirers were extremely indignant, sabotaging the production by whistling and shouting during the entire first act. However, not long after the second performance, the opera became so successful that the fame of Paisiello's opera was transferred to Rossini's, to which the title The Barber of Seville passed as an inalienable heritage.
Grieg
Edvard Hagerup Grieg (/ɡriːɡ/ GREEG, Norwegian: ; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions brought the music of Norway to international consciousness, as well as helping to develop a national identity, much as Jean Sibelius and Bedřich Smetana did in Finland and Bohemia, respectively.
Grieg is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.
Grieg is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.
Chopin
Frédéric Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Balakirev
Mily Alexeyevich Balakirev (Russian: Милий Алексеевич Балакирев, Milij Alekseevič Balakirev, 1910) was a Russian pianist, conductor and composer. He is known today primarily for his work promoting musical nationalism in Russia. Working in conjunction with critic Vladimir Stasov, Balakirev brought together the composers now known as the Five, encouraged their efforts and acted as a musical midwife both for them and for Pyotr Ilyich Tchaikovsky.
Balakirev began his career as a pivotal figure in Russian music by extending and developing the fusion began by Mikhail Glinka of traditional Russian and boldly experimental music. In doing so, he established musical patterns that could express overtly nationalistic feeling. He not only demonstrated in his own works how this could be done, but also by taking amateur musicians of prescribed musical education but enormous potential such as Modest Mussorgsky, Alexander Borodin and Nikolai Rimsky-Korsakov, he imparted his own musical beliefs and passed them on to underlie the thinking of his pupils.
Balakirev found himself in an unusual position in his later yers of attending premieres of works he had begun long ago but had only recently completed. For instance, he began writing his First Symphony in 1864 but finished it in 1897. Often, the musical ideas normally associated with Rimsky-Korsakov or Borodin actually originated in Balakirev's compositions. However, his slowness in bringing his works before the public robbed him of credit for his inventiveness. Also, pieces which if completed in the 1860s and 70s would have enjoyed success if they had been performed at that time actually made a much smaller impact when they were introduced toward the end of the composer's life because they had been overtaken by the accomplishments of younger composers. The exception to this is his oriental fantasy Islamey, which is still popular among pianists.
Balakirev began his career as a pivotal figure in Russian music by extending and developing the fusion began by Mikhail Glinka of traditional Russian and boldly experimental music. In doing so, he established musical patterns that could express overtly nationalistic feeling. He not only demonstrated in his own works how this could be done, but also by taking amateur musicians of prescribed musical education but enormous potential such as Modest Mussorgsky, Alexander Borodin and Nikolai Rimsky-Korsakov, he imparted his own musical beliefs and passed them on to underlie the thinking of his pupils.
Balakirev found himself in an unusual position in his later yers of attending premieres of works he had begun long ago but had only recently completed. For instance, he began writing his First Symphony in 1864 but finished it in 1897. Often, the musical ideas normally associated with Rimsky-Korsakov or Borodin actually originated in Balakirev's compositions. However, his slowness in bringing his works before the public robbed him of credit for his inventiveness. Also, pieces which if completed in the 1860s and 70s would have enjoyed success if they had been performed at that time actually made a much smaller impact when they were introduced toward the end of the composer's life because they had been overtaken by the accomplishments of younger composers. The exception to this is his oriental fantasy Islamey, which is still popular among pianists.
Dvorak
Antonín Leopold Dvořák (September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms and melodies of the folk music of his native Bohemia and Moravia. His works include operas, symphonic, choral and chamber music. His best-known works are his New World Symphony (particularly the slow movement), as well as his Slavonic Dances, American String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.